Rainbow Tango NYC invites you to take part in the Queer Tango Festival as an advertiser, vendor, or sponsor.  If one or more of the options below interest you, please contact Noelle Van der Tuin at (313) 623-7579 or at rainbowtangonyc@gmail.com.

 

NEW YORK CITY’S FIRST ANNUAL QUEER TANGO FESTIVAL

 From October 8 to October 10, 2010, Rainbow Tango will host New York City’s First Annual Queer Tango Festival.  The Festival will welcome long-time dancers from the LGBT community as well as allies who are interested in open-role Tango.  It will also offer non-dancers from the LGBT community many opportunities to explore the world of Tango.  The Queer Tango Festival will present a showcase of same-sex dance in New York City (including several styles of dance in addition to Tango), films, art exhibit, forums and lectures on the history of same-sex Tango. 

 

ABOUT RAINBOW TANGO NYC

 TRADITIONAL TANGO FOR NON-TRADITIONAL PEOPLE

Rainbow Tango is part of the School of Traditional Argentine Tango and was funded in 2009.  It is a group that offers the Lesbian, Gay, Bi-sexual, and Transgendered (LGBT) Community and its allies a safe and welcoming space to dance and celebrate Tango.  Rainbow Tango offers open-role (men and women choose independently whether to lead or follow) classes for people who wish to do same-sex dance or simply wish to explore the Tango role associated with the opposite gender.  Rainbow Tango classes revive the traditions of the Golden Age of Tango (1940s and 1950s) in a warm and friendly community of non-traditional dancers.  Rainbow Tango also brings prácticas (practices) and milongas (Tango dances) to New York City.

 

 

 RAINBOW TANGO FOUNDERS

Sergio Segura and Anton Gazenbeek created Rainbow Tango.  Sergio is a renowned producer of Tango shows and cultural events as well as an experienced Tango dancer and teacher.  Anton has been dancing Tango since he was twelve years old and has danced with some of the world’s most renowned dancers.  He and Sergio share a passion for Tango and its history.  Together, they have interviewed dancers from the Golden Age of Tango to fully understand the dance as it existed in its heyday.  They have also collected a wealth of video footage of social dance and lessons dating to the 1920s.  As a result of their expansive research, Sergio and Anton have created a teaching system which revives the Traditions of the 1940s and 1950s in a way today’s students can easily understand them.  Their teaching style is based on precision, elegance, musicality, and creativity.

 

THE HISTORY OF TANGO

The history of tango is long and varied. To understand it we must go back to the beginning.

Between 1890 and 1910 there was a large influx of immigrants into Buenos Aires who were mainly from Spain and Italy but included Jews, Germans, Irish and Russians. They all brought with them their customs and traditions. Buenos Aires became a melting pot of all these cultures and it is from there that tango was born.

It started out as a form of music whose roots were in Cuban habanera, Andalusian tango, Italian canzonetta, and Polish music. All these forms were mixed and a unique style of music was born.

The first time the dance appeared was a form of challenge dance done only by men. The dance was used as a way to compete with the other guys and see who was not only the most dominant and powerful but the most creative and skilled as well.

In 1910, principally 1913 tango arrived to Paris where it became a sensation. The dance became stylized and refined.

In the 1920s this new form of dance made its way back to Buenos Aires where the upper and middle classes adopted it. A style called Tango Salon developed. The dance was elegant and streamlined.

The 1930s saw the birth of Tango Orillero, a fast and wildly creative form danced mainly by the lower classes. It was a playful, fun and exuberant dance style.

The 1940s and 1950s was what is referred to as The Golden Age of Tango. A large proportion of the residents of Buenos Aires danced and each neighborhood had a different style of dancing. One could tell who was from which neighborhood. There were 3 or 4 dance halls in every neighborhood and they were packed to the rafters.

There developed a style called Tango Fantasia which was an exhibition style dance used to show the skill of a dance couple. It involved little jumps off the floor, changes of dance embrace position and often changes of role within the couple. Tango reached the peak of its creativity with Tango Fantasia.

In the early 1960s there was a military junta in Argentina. It was made difficult for groups of people to meet after a certain time during the night so the dances had to go underground.

The 1970s saw the invention of tango for the stage which fused folklore dance, ballet and jazz with tango. It was performed in shows and on television.

In the 1980s the Broadway show Tango Argentino toured all around the world and a renewed interest began in tango as tourists flocked to Buenos Aires by the thousands to see this unique dance.
The 1990s was a time in which the young generation respected the traditional form even though it was performed in shows.

The 2000s saw the creation of a new style called “Nuevo Tango” or New Tango. Danced to electronic or non-Tango music it is the predominate style today that is danced mainly by younger dancers but by others as well.

 

 

SAME-SEX TANGO HISTORY

During the Golden Age of Tango in the 1940s and 1950s, it was improper for young ladies to spend a great deal of time in Tango classes with unknown men.  Instead, the young ladies learned at home from the men in their families.  The learning process took place among men in local community meeting places, making same-sex Tango the norm for acquiring the knowledge and skills necessary for the milongas (Tango dances) in each neighborhood.

A young man during the Golden Age of Tango would start learning the dance by attending a práctica (practice dance) with other men at a local community meeting place.  He would begin learning by following other men’s lead.  As he learned, he would gain enough experience to start leading the young men who came after him.  When the other men deemed him ready to dance at a milonga, he would join in the neighborhood dances.

Most women at that time learned to dance from their fathers, brothers, uncles, and other male family members who attended prácticas.  Some, however, learned from their mothers and sisters – who had learned to lead Tango as well as follow it. 

During the military junta that drove Tango underground and almost destroyed it, this learning tradition was lost.  The Renaissance of Tango featured some same-sex teaching, but the tradition of same-sex teaching in prácticas greatly diminished during the Dark Age of Tango.  With the fading-out of same-sex Tango instruction, the assumption of the Tango community shifted to seeing same-sex Tango as gay Tango.  The overall Tango community for many years frowned upon same-sex Tango for this reason.

By 2003, a movement arose for same sex dancers – either gay or curious about taking a non-traditional role in the dance – to choose whether to lead or follow.  Classes existed here and there for Tango dancers to dance open-role Tango (choosing whether to lead or follow independently), but they had no milongas to show their skill and dance socially.  The first open-role milonga, La Marshall in Buenos Aires, started in 2003.  It was known as the first gay milonga, although it openly welcomed straight people willing to dance either role of Tango.

Since the first gay milonga opened in Buenos Aires, same-sex Tango communities have emerged all over the world.  These communities face many challenges, because same-sex Tango is still taboo in many places.  Still, festivals celebrating same-sex Tango exist in a dozen cities, including the First Annual Queer Tango Festival in  New York City (October 8-10, 2010). 

 

 

For more information about the festival, contact Sergio Segura  statnyc@yahoo.com  917-373-7446 / 7444

 

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